See below for Awards and Honors, Grants and Exhibitions and Talks.
| 2018: | Flyin' West | Westport Country Playhouse, Westport, CT | Dir: Seret Scott |
| 2015: | Bedroom Farce | Westport Country Playhouse, Westport, CT | Dir: John Tillinger |
| 2014: | Othello | Guthrie Theater, Minneapolis, MN | Dir: Marion McClinton |
| 2013: | Passions | Glimmerglass Festival, Cooperstown NY | Dir: Francesca Zambello |
| 2010: | All Day Suckers | New York Fringe Festival, NYC | Dir: Jessica Baumann |
| 2009: | Fences | Huntington Theatre Company, Boston MA | Dir: Kenny Leon |
| Paradise Lost | Oregon Shakespeare Festival, Ashland OR | Dir: Libby Appel | |
| The Philanderer | American Players Theatre, Spring Green WI | ||
| Legacy of Light | Arena Stage, Washington, DC | Dir: Molly Smith | |
| The Diary of Anne Frank | Syracuse Stage, Syracuse, NY | Dir: Tim Bond | |
| 2008: | Gee's Bend | Arden Theatre, Philadelphia, PA | Dir: Eleanor Holdridge |
| Widowers' Houses | American Players Theatre | Dir: Ken Albers | |
| 2007: | Spike Heels | Syracuse Stage, Syracuse NY | Dir: Bob Moss |
| Macbeth | Milwaukee Shakespeare Festival | Dir: Eleanor Holdridge | |
| 2006: | Crowns | Arizona Theatre Company | Dir: Andrea Frye |
| Men of Tortuga | Asolo Playhouse, Sarasota FL | Dir: Greg Leaming | |
| 2005: | Love's Labours Lost | Oregon Shakespeare Festival | Dir: Ken Albers |
| Margaret Garner | Michigan Opera Theatre Cincinnati Opera Philadelphia Opera | Dir: Kenny Leon | |
| 2004: | An Infinite Ache | Merrimack Repertory Theatre | Dir: Greg Leaming |
| Blue | Cincinnati Playhouse GeVa Theatre, Rochester, NY | Dirs: Kenny Leon & Seret Scott | |
| King Lear | Oregon Shakespeare Festival (June 2004) | Dir: Jim Edmondson | |
| Tambourines to Glory | National Black Arts Festival, Atlanta Lincoln Theatre, Washington D.C. | Dir: Kenny Leon | |
| A Christmas Carol | Milwaukee Repertory Theatre | Dir: Judy Berdan | |
| 2003: | An Infinite Ache | Cincinnati Playhouse | Dir: Greg Leaming |
| That Day in September | Lamb's Theatre, NYC | Dir: Richard Masur | |
| Fences | True Colors Theatre Company, Atlanta | Dir: Kenny Leon | |
| A Christmas Carol | Milwaukee Repertory Theatre | Dir: Joe Hanreddy | |
| 2002: | The Tender Land | Skylight Opera, Milwaukee, WI | Dir: Paula Suozzi |
| An Infinite Ache | Stamford Center for the Arts, CT | Dir: Greg Leaming | |
| 2001: | Hearts | Alliance Theatre, Atlanta, GA | Dir: Kenny Leon |
| The Piano Lesson | San Jose Repertory Theatre, San Jose, CA | Dir: Kenny Leon | |
| Thief River | Signature Theatre, NYC | Dir: Mark Lamos | |
| Two Sisters and a Piano | Oregon Shakespeare Festival, Ashland, OR | Dir: Andrea Frye | |
| An Infinite Ache | Long Wharf Theatre, New Haven, CT | Dir: Greg Leaming | |
| 2000: | A Moon for the Misbegotten | Alliance Theatre, Atlanta, GA | Dir: Kenny Leon |
| A Lesson Before Dying | Signature Theatre, NYC | Dir: Kent Thompson | |
| The Seagull | Missouri Repertory Theatre, Kansas City | Dir: George Keathley | |
| 1999: | The Road Home | Asia House, NYC | Dir: Larry Sacharow |
| Crumbs from the Table of Joy | Alliance Theatre | Dir: Kenny Leon | |
| Jitney | Alliance Theatre | Dir: Kenny Leon | |
| Everybody's Ruby | New York Shakespeare Festival | Dir: Kenny Leon | |
| 1998: | A Midsummer Night's Dream | Pittsburgh Public Theatre | Dir: Edward Gilbert |
| Medea | Alliance Theatre | Dir: Kenny Leon | |
| 1997: | A Long Days Journey Into Night | Pittsburgh Public Theatre | Dir: Edward Gilbert |
| Seven Guitars | Alliance Theatre | Dir: Kenny Leon | |
| Bourbon at the Border | Alliance Theatre | Dir: Kenny Leon | |
| Blues for an Alabama Sky | Huntington Theatre, Boston, MA | Dir: Kenny Leon | |
| 1996: | Blues for an Alabama Sky | Arena Stage, Washington, D.C. | Dir: Kenny Leon |
| Blues for an Alabama Sky | Alliance Theatre 1996 Olympic Arts Festival | Dir: Kenny Leon | |
| Blues for an Alabama Sky | Hartford Stage | Dir: Kenny Leon | |
| The Perfect 36 | Tennessee Repertory Company | Dir: Max Perkle | |
| The Amen Corner | Alliance Theatre | Dir: Kenny Leon | |
| 1995: | Denial | Long Wharf Theatre, New Haven, CT | Dir: Arvin Brown |
| Angels in America, Pt. I | Alliance Theatre | Dir: Kenny Leon | |
| Angels in America, Pt. II | Alliance Theatre | Dir: Kenny Leon | |
| A Raisin in the Sun | Huntington Theatre | Dir: Kenny Leon | |
| Dancing at Lughnasa | Indiana Repertory Theatre | Dir: Libby Appel | |
| As You Like It | Huntington Theatre | Dir: Edward Gilbert | |
| From the Mississippi Delta | Alliance Theatre | Dir: Kenny Leon | |
| As You Like It | Pittsburgh Public Theatre | Dir: Edward Gilbert | |
| 1994: | Zooman and the Sign | Second Stage, NYC | Dir: Seret Scott |
| Mr. Rickey Calls a Meeting | George Street Playhouse, New Jersey | Dir: Sheldon Epps | |
| Saturday, Sunday, Monday | Pittsburgh Public Theatre, PA Long Wharf Theatre, New Haven, CT | Dir: Arvin Brown | |
| Angels in America, Pt. I | Alliance Theatre | Dir: Kenny Leon | |
| The Strange Life of Ivan Osokin | La Mama ETC, NYC | Dir: Larry Sacharow | |
| Dancing at Lughnasa | Alliance Theatre | Dir: Libby Appel | |
| 1993: | Any Given Day | Longacre Theatre, NYC | Dir: Paul Benedict |
| Two Trains Running | Alliance Theatre | Dir: Kenny Leon | |
| From the Mississippi Delta | Huntington Theatre | Dir: Kenny Leon | |
| The Cover of Life | Hartford Stage Company | Dir: Rick Corley | |
| Three Men on a Horse | National Actors Theatre, NYC | Dir: John Tillinger | |
| A Midsummer Night's Dream | Alabama Shakespeare Festival | Dir: Carol Thompson | |
| Saint Joan | National Actors Theatre, NYC | Dir: Michael Langham | |
| A Streetcar Named Desire | Alliance Theatre | Dir: Kenny Leon | |
| 1992: | The Seagull | National Actors Theatre | Dir: Marshall Mason |
| Fugue | Cleveland Playhouse | Dir: Ken Frankel | |
| The Diary of Anne Frank | Cleveland Playhouse | Dir: Rob Garber | |
| A Wrinkle in Time | Fitzgerald Theatre, St. Paul, MN | Dir: Gary Gisselman | |
| When We Are Married | Seattle Repertory Theatre | Dir: Nagel Jackson | |
| Piano Lesson | Alliance Theatre | Dir: Kenny Leon | |
| 1991: | On Borrowed Time | Circle in the Square, NYC | Dir: George C. Scott |
| A Wrinkle in Time | Children's Theatre Company, Minneapolis | Dir: Gary Gisselman | |
| The Mesmerist | Cincinnati Playhouse | Dir: Worth Gardener | |
| Lucifer's Child | Music Box Theatre, NYC | Dir: Tony Abatemarco | |
| The Baby Dance | Long Wharf Theatre | Dir: Jenny Sullivan | |
| Pirates | South Coast Repertory, Costa Mesa, CA | Dir: Martin Benson | |
| 1990: | The Masterbuilder | Hartford Stage | Dir: Mark Lamos |
| The Stonecarver | Geva Theatre, Rochester, NY | Dir: Joe Mantello | |
| Adult Fiction | Geva Theatre, Rochester, NY | Dir: Joe Mantello | |
| Typhoid Mary | Geva Theatre, Rochester, NY | Dir: Joe Mantello | |
| Oh, the Innocents | Geva Theatre, Rochester, NY | Dir: Joe Mantello | |
| The March on Russia | Cleveland Playhouse | Dir: Josie Abady | |
| The Playboy of the Western World | Seattle Repertory Company | Dir: Doug Hughes | |
| Is He Still Dead? | Long Wharf Theatre | Dir: Charles Nelson Reilly | |
| 1989: | Tom Sawyer | Central Children's Theatre, Moscow, USSR | Dir: Jon Cranney |
| Peter Pan | Wright State University Theatre, Dayton | Dir: Bob Heatherington | |
| Much Ado About Nothing | Cincinnati Playhouse | Dir: John Russell Brown | |
| Betsey Brown | American Music Theatre Festival, PA | Dir: Emily Mann | |
| Enrico IV | Roundabout Theatre, NYC | Dir: J. Ranelli | |
| 1988: | Annulla | New Theatre of Brooklyn | Dir: Emily Mann |
| Two Rooms | La Jolla Playhouse | Dir: Des McAnuff | |
| Fighting Chance | Long Wharf Theatre | Dir: Ken Frankel | |
| Serenading Louie | Hartford Stage | Dir: Mary Robinson | |
| Gantry | Ford's Theatre, Washington, D.C. | Dir: David Bell | |
| 1987: | Babbitt | Mark Taper Forum, Los Angeles, CA | Dir: Steve Robman |
| Self-Defense | Joyce Theatre, NYC | Dir: Arvin Brown | |
| A Month of Sundays | (Broadway) | Dir: Gene Saks | |
| Little Miss Hollywood | Children's Theatre Company, Minneapolis | Dir: Jon Cranney | |
| Cat on a Hot Tin Roof | Virginia Stage, Norfolk, VA | Dir: Charles Towers | |
| The Square Root of Three | Jewish Repertory Theatre, NYC | Dir: Steve Robman | |
| Self-Defense | Long Wharf Theatre | Dir: Arvin Brown | |
| 1986: | The Real Thing | Portland Stage Co. | Dir: Mel Marvin |
| The Gilded Age | Hartford Stage | Dir: Mark Lamos | |
| Untitled | River Arts Repertory, Woodstock, NY | Dir: Michael Christopher | |
Babbitt| 46th Street Theatre | Dir: Brian Murray |
| |
| The Abduction from the Seraglio | Williams College Theatre | Dir: Bernard Bucky | |
| (A play by Len Jenkin) | Classic Stage Company, NYC | Dir: Larry Sacharow | |
| Distant Fires | Hartford Stage | Dir: Mark Lamos | |
| 1985: | Bullies House | Long Wharf Theatre | Dir: Ken Frankel |
| A Day in the Death of Joe Egg | Longacre Theatre, NYC | Dir: Arvin Brown | |
| Requiem for a Heavyweight | Majestic Theatre, Dallas, TX Ft. Lauderdale, FL Palm Beach, FL Martin Beck Theatre, NYC | Dir: Arvin Brown | |
| 1984: | Passion | Hartfors Stage | Dir: Mark Lamos |
| Total Eclipse | The Lambs Theatre, NYC | Dir: John Tillinger | |
| Extremities | Duchess Theatre, London | Dir: Robert Allan Ackerman | |
| Under the Ilex | Long Wharf Theatre | Dir: Charles Nelson Reilly | |
| American Buffalo | Shubert Theatre, Boston, MA Curran Theatre, San Francisco, CA | Dir: Arvin Brown | |
| The Bathers | Long Wharf Theatre | Dir: Steven Robman | |
| Hot Lunch Apostles | The Talking Band/ La Mama ETC, NYC | Dir: Paul Zimet | |
| The Value of Names | Hartford Stage | Dir: Mark Lamos | |
| Cantorial | Hartman Theatre, Stamford CT | Dir: Ed Sherin | |
| Requiem for a Heavyweight | Long Wharf Theatre | Dir: Arvin Brown | |
| 1983: | Old Times | Roundabout Theatre | Dir: Ken Frankel |
| Heartbreak House | Circle in the Square | Dir: Antony Page | |
| A Private View | New York Shakespeare Festival | Dir: Lee Grant | |
| American Buffalo | Terrace Theatre, Kennedy Center, D.C. Booth Theatre, NYC | Dir: Arvin Brown | |
| Lunching | Apollo Theatre, Chicago, IL | Dir: Steven Robman | |
| Extremities | Los Angeles Public Theatre | Dir: Robert Allan Ackerman | |
| It's a Mad World, My Masters | La Jolla Playhouse | Dir: Des McAnuff | |
| Wild Life | Vandam St. Theatre, NYC | Dir: Art Wolff | |
| Under the Ilex | St. Louis Repertory Theatre | Dir: Charles Nelson Reilly | |
| Moose Murders | O'Neill Theatre | Dir: John Roach | |
| A Lesson from Aloes | Portland Stage | Dir: Barbara Rossoff | |
| Another Country | Long Wharf Theatre | Dir: John Tillinger | |
| The Misanthrope | Circle in the Square | Dir: Stephen Porter | |
| Good Sports | (Staged Workshop) | Dir: Peter Masterson | |
| 1982: | Extremities | Westside Arts Theatre, NYC | Dir: Robert Allan Ackerman |
| Steaming | Hartman Theatre, Stamford, CT Brooks Atkinson Theatre, NYC | Dir: Roger Smith | |
| Open Admissions | Long Wharf Theatre | Dir: Arvin Brown | |
| Corpse! | American Stage Festival, Milford, NH | Dir: Larry Carpenter | |
| Present Laughter | Circle in the Square | Dir: George C. Scott | |
| The Woods | Second Stage, NYC | Dir: David Mamet | |
| Solomon's Child | The Little Theatre, NYC | Dir: John Tillinger | |
| Ethan Frome | Long Wharf Theatre | Dir: Ken Frankel | |
| 1981: | Kaufman at Large | Phoenix Theatre, NYC | Dir: Steven Robman |
| The Medal of Honor Rag | PBS/NET Theatre in America (videotape) | Dir: Lloyd Richards | |
| A Day in the Death of Joe Egg | Long Wharf Theatre | Dir: Arvin Brown | |
| Hedda Gabler | Huntington Theatre, Boston, MA Hartman Theatre, Stamford, CT | Dir: Ed Sherin | |
| Isn't It Romantic | Phoenix Theatre | Dir: Steven Robman | |
| American Buffalo | Circle in the Square, Downtown | Dir: Arvin Brown | |
| Kean | Arena Stage, Washington, D.C. | Dir: Martin Fried | |
| The Father | Circle in the Square | Dir: Goran Graffman | |
| Plenty | Goodman Theatre, Chicago, IL | Dir: David Hare | |
| Showdown at the Adobe Motel | Hartman Theatre | Dir: Ed Sherin | |
| 1980: | The Children's Crusade | First All Children's Theatre, NYC | Dir: Meridee Stein |
| Solomon's Child | Long Wharf Theatre | Dir: John Tillinger | |
| Bonjour, La, Bonjour | Phoenix Theatre | Dir: Steven Robman | |
| American Buffalo | Long Wharf Theatre | Dir: Arvin Brown | |
| After the Season | Wilmington, DE Shubert Theatre, Boston, MA | Dir: Steven Robman | |
| Second Avenue Rag | Phoenix Theatre | Dir: Gerald Freedman | |
| The Best Little Whorehouse in Texas | Orlando, FL | Dir: Tommy Tune | |
| A Midsummer Night's Dream | Denver Center | Dir: Gene Lesser | |
| Mary Barnes | Long Wharf Theatre | Dir: Arvin Brown | |
| Salt Lake City Skyline | New York Shakespeare Festival | Dir: Robert Allan Ackerman | |
| 1979: | The Open Window Good Evening, Ladies and Gentlemen | Park Lane Productions/ Survival Anglia PAF Playhouse, Huntington, NY | Dir: Steven Robman |
| The Best Little Whorehouse in Texas | Shubert Theatre, Boston, MA | Dir: Tommy Tune | |
| Da | Royal Alexandria Theater, Toronto | Dir: Melvin Bernhardt | |
| Oldsmobile '80 | Mark Hellinger Theatre, NYC | ||
| Rite of Passage Aftermath King Crab Lilac Time | Eugene O'Neill Playwrights Center, Summer conference - Four new television plays | ||
| Wine Untouched | Harold Clurman Theatre, NYC | ||
| Right of Way | Guthrie Theatre | Dir: Steven Robman | |
| The Taming of the Shrew | Milwaukee Repertory Theatre | Dir: John Dillon | |
| Spokesong | Circle in the Square | Dir: Ken Frankel | |
| Hedda Gabbler | Cincinnati Playhouse | Dir: John Going | |
| The Best Little Whorehouse in Texas | Tower Theatre, Houston, TX | Dir: Tommy Tune | |
| Summerfolk | Long Wharf Theatre | Dir: Edward Gilbert | |
| 1978: | Under This Sky | Red Cloud Productions/ WNET 13 | Dir: Randa Haines |
| Fathers and Sons | New York Shakespeare Festival | Dir: Robert Allan Ackerman | |
| Sleeparound Town | New York Shakespeare Festival | Dir: Sarah Kernochan | |
| Bonjour, La, Bonjour | Guthrie Theatre | Dir: Steven Robman | |
| The Best Little Whorehouse in Texas | Entermedia Theatre, Off Broadway, NYC 46th Street Theatre, Broadway, NYC | Dir: Tommy Tune and Peter Masterson | |
| Da | Morosco Theatre, NYC | Dir: Melvin Bernhardt | |
| The Seagull | Indiana Repertory Theatre, Indianapolis | Dir: Ed Stern | |
| The Trial of the Moke | WNET/ 13 Theatre in America | ||
| A Flea in Her Ear | Hartford Stage Company | Dir: Norman Ayrton | |
| 1977: | Spokesong | Long Wharf Theatre | Dir: Ken Frankel |
| Green Pond | Chelsea Theatre, Brooklyn, NY Chelsea Westside Theatre, NYC | Dir: David Chambers | |
| The Confirmation | McCarter Theatre, Princeton, NJ | Dir: Ken Frankel | |
| A Flea in Her Ear | American Stage Festival, Milford, NH | Dir: Hal Scott | |
| Arms and the Man | American Stage Festival | Dir: Steven Robman | |
| Molly (sets & costumes) | Dockstreet Theatre, Charleston, SC | Dir: Stephen Hollis | |
| Paul Bunyan | Manhattan School of Music | Dir: Cynthia Auerbach | |
| Sleuth | Syracuse Stage | Dir: Robert Mandel | |
| Saint Joan | Long Wharf Theatre | Dir: Martin Fried | |
| The Show-Off | Goodman Theatre, Chicago, IL | Dir: Gene Lesser | |
| 1976: | Green Pond (sets & costumes) | Stage South, Columbia, SC South Carolina Arts Council Statewide Tour | Dir: David Chambers |
| Major Barbara | McCarter Theatre, Princeton, NJ Annenberg Center, Philadelphia, PA | Dir: Ken Frankel | |
| Children | Manhattan Theatre Club, NYC | Dir: Mel Berhardt | |
| Alphabetical Order | Long Wharf Theatre | Dir: Steven Robman | |
| Twelfth Night | American Stage Festival, Milford, NH | Dir: Steven Robman | |
| Seven Keys to Baldpate | American Stage Festival, Milford, NH | Dir: Larry Randolph | |
| The House of Mirth | Long Wharf Theatre | Dir: Waris Hussein | |
| Awake and Sing | McCarter Theatre Annenberg Center | Dir: Ken Frankel | |
| The Sun Always Shimes for the Cool | New York Shakespeare Festival | Dir: Marvin Camillo | |
| All Over | WNET/ 13 Theatre in America | ||
| 1975: | The Poison Tree | Broadway, NYC | Dir: Charlie Blackwell |
| The Estate | Hartford Stage | Dir: Paul Weidner | |
| All Over | Hartford Stage | Dir: Paul Weidner | |
| Death of a Salesman | Circle in the Square | Dir: George C. Scott | |
| Afternoon Tea | Hartford Stage | Dir: Paul Weidner | |
| Pygmalion | Long Wharf Theatre | Dir: Robin Gammell | |
| The Beggar's Opera | Williams College Theatre | ||
| Life Class | Manhattan Theatre Club, NYC | Dir: Robert Mandel | |
| The Sea | Manhattan Theatre Club, NYC | Dir: Robert Mandel | |
| Sea Marks | Manhattan Theatre Club, NYC | Dir: Steven Robman | |
| 1974: | Where's Charley? | Circle in the Square | Dir: Theodore Mann |
| Sweet Talk | New York Shakespeare Festival | Dir: Novella Nelson | |
| The Hot l Baltimore | Hartford Stage | Dir: Paul Weidner | |
| Private Lives | Williamstown Theater Festival | Dir: Nikos Psacharopolis | |
| The Merry Wives of Windsor | Augusta Repertory Theatre, Augusta, GA | Dir: Steven Robman | |
| The Killdeer | New York Shakespeare Festival | Dir: Melvin Bernhardt | |
| A Touch of the Poet | Hartford Stage | Dir: Paul Weidner | |
| Private Lives | PAF Playhouse, Huntington, NY | Dir: Richard Jamieson | |
| Studs Edsel | Ensemble Studio Theatre, NYC | ||
| La Cambiale di Matrimonio | Opera Buffa of New York, NYC | Dir: Rhoda Grauer | |
| Bits and Pieces | Manhattan Theatre Club, NYC | Dir: Lynn Meadow | |
| 1973: | Three Men on a Horse | Arena Stage, Washington, D.C. | Dir: Norma Gevanthor |
| Candida | PAF Playhouse, Huntington, NY | Dir: Richard Jamieson | |
| Juno and the Paycock | Long Wharf Theatre | Dir: Arvin Brown | |
| Getting Married | Hartford Stage | Dir: Douglas Seale | |
| Twelfth Night (sets & costumes) | PAF Playhouse, Huntington, NY | Dir: Richard Jamieson | |
| What the Butler Saw | Williamstown Theatre Festival | Dir: Jeff Blechner | |
| 1972: | Old Times | Goodman Thatre, Chicago, IL | Dir: Michael Kahn |
| The Lady's Not for Burning | Long Wharf Theatre | Dir: Kent Paul | |
| The Country Girl | Williamstown Theatre Festival | Dir: Arvin Brown | |
| Death of a Salesman | Center Stage, Baltimore, MD | Dir: Lee Sankovitz | |
| Troika | Long Wharf Theatre | Dir: Morris Carnovsky | |
| 1971: | The Black Terror | New York Shakespeare Festival | Dir: Nathan George |
| A Gun Play (with Ralph Funicello) | Cherry Lane Theatre, NYC | Dir: Gene Frankel | |
| 1970: | The Happiness Cage | New York Shakespeare Festival | Dir: Tom Aldredge |
| 1969: | Sambo (with Ming Cho Lee) | New York Shakespeare Festival | Dir: Gerald Freedman |
Awards and Honors
| 2014: | Robert Tobin Award - Sustained Excellence in Theatrical Design |
| 2006: | Distinguished Achievement in Scenic Design, USITT |
| 2002: | The Ruth Morley Designing Woman Award |
| 1995: | The Mary L. Murphy Award for Excellence in Design |
| 1994: | The Michael Merritt Award for Excellence in Design and Collaboration |
| 1991: | Los Angeles Drama-Logue Award, Best Scenic Design – Pirates |
| 1991: | Robby Award, Distinguished Achievement in Theatre – Pirates |
| 1988: | Los Angeles Drama-Logue Award, Best Scenic Design – Babbit |
| 1985: | Drama Desk (NYC), nomination for Outstanding Design – Requiem for a Heavyweight |
| 1984: | Boston Theatre Critics Circle Award, Best Design of ‘83-’84 season – American Buffalo |
| 1983: | American Council on the Arts Young Artists Award |
| 1983: | Drama Desk (NYC), nomination for Outstanding Design – Steaming; Extremities; Present Laughter |
| 1983: | The Tor Award for Best Set Design – Heartbreak House |
Grants
| 1994: | National Theatre Artist Program Development Grant The Pew Charitable Trusts/ Theatre Communications Group For conceptual work with a collaborative team |
| 1992-94: | Pew Charitable Trust Theatre Residency Grant For a residency with the Alliance Theatre, Atlanta, GA |
Exhibitions and Talks
| 2008-9: | “Curtain Call: Celebrating a Century of Women Designing for Live Performance” – New York Library for the Performing Arts, Lincoln Center, NYC |
| 2007: | Prague Quadrennial/International Exposition of Scenography, showing designs for MARGARET GARNER |
| 2006: | “In Defense of Realism,” slide lecture at USITT National Convention, Louisville KY |
| 2002: | “Designs for the Stage,” the Bright Hill Center, Word and Image Gallery, Treadwell, NY. (A solo retrospective) |
| 1999: | “Visualizing the New Play.” The Humana Festival, Actors Theatre of Louisville (Several models of sets designed for premieres of new plays) |
| 1997: | “Women in Scenic Design.” United States Institute of Theatre Technology National Conference, Pittsburgh, PA (15 various sketches, plus several paint elevations and drafting) |
| 1990: | “The Broadway Scene.” McNay Art Museum, San Antonio, TX, 1990 (Various design documents borrowed from the Robert Tobin Collection) |
| 1987: | The Prague Quadrennial, Prague, Czechoslovakia (A scale model of the set design for STEAMING was part of the United States’ entry, which won the Grand Prize for that year: the “Golden Trigu.” The exhibit then toured Europe for the next two years.) |