See below for Awards and Honors, Grants and Exhibitions and Talks.
2018: | Flyin' West | Westport Country Playhouse, Westport, CT | Dir: Seret Scott |
2015: | Bedroom Farce | Westport Country Playhouse, Westport, CT | Dir: John Tillinger |
2014: | Othello | Guthrie Theater, Minneapolis, MN | Dir: Marion McClinton |
2013: | Passions | Glimmerglass Festival, Cooperstown NY | Dir: Francesca Zambello |
2010: | All Day Suckers | New York Fringe Festival, NYC | Dir: Jessica Baumann |
2009: | Fences | Huntington Theatre Company, Boston MA | Dir: Kenny Leon |
Paradise Lost | Oregon Shakespeare Festival, Ashland OR | Dir: Libby Appel | |
The Philanderer | American Players Theatre, Spring Green WI | ||
Legacy of Light | Arena Stage, Washington, DC | Dir: Molly Smith | |
The Diary of Anne Frank | Syracuse Stage, Syracuse, NY | Dir: Tim Bond | |
2008: | Gee's Bend | Arden Theatre, Philadelphia, PA | Dir: Eleanor Holdridge |
Widowers' Houses | American Players Theatre | Dir: Ken Albers | |
2007: | Spike Heels | Syracuse Stage, Syracuse NY | Dir: Bob Moss |
Macbeth | Milwaukee Shakespeare Festival | Dir: Eleanor Holdridge | |
2006: | Crowns | Arizona Theatre Company | Dir: Andrea Frye |
Men of Tortuga | Asolo Playhouse, Sarasota FL | Dir: Greg Leaming | |
2005: | Love's Labours Lost | Oregon Shakespeare Festival | Dir: Ken Albers |
Margaret Garner | Michigan Opera Theatre Cincinnati Opera Philadelphia Opera | Dir: Kenny Leon | |
2004: | An Infinite Ache | Merrimack Repertory Theatre | Dir: Greg Leaming |
Blue | Cincinnati Playhouse GeVa Theatre, Rochester, NY | Dirs: Kenny Leon & Seret Scott | |
King Lear | Oregon Shakespeare Festival (June 2004) | Dir: Jim Edmondson | |
Tambourines to Glory | National Black Arts Festival, Atlanta Lincoln Theatre, Washington D.C. | Dir: Kenny Leon | |
A Christmas Carol | Milwaukee Repertory Theatre | Dir: Judy Berdan | |
2003: | An Infinite Ache | Cincinnati Playhouse | Dir: Greg Leaming |
That Day in September | Lamb's Theatre, NYC | Dir: Richard Masur | |
Fences | True Colors Theatre Company, Atlanta | Dir: Kenny Leon | |
A Christmas Carol | Milwaukee Repertory Theatre | Dir: Joe Hanreddy | |
2002: | The Tender Land | Skylight Opera, Milwaukee, WI | Dir: Paula Suozzi |
An Infinite Ache | Stamford Center for the Arts, CT | Dir: Greg Leaming | |
2001: | Hearts | Alliance Theatre, Atlanta, GA | Dir: Kenny Leon |
The Piano Lesson | San Jose Repertory Theatre, San Jose, CA | Dir: Kenny Leon | |
Thief River | Signature Theatre, NYC | Dir: Mark Lamos | |
Two Sisters and a Piano | Oregon Shakespeare Festival, Ashland, OR | Dir: Andrea Frye | |
An Infinite Ache | Long Wharf Theatre, New Haven, CT | Dir: Greg Leaming | |
2000: | A Moon for the Misbegotten | Alliance Theatre, Atlanta, GA | Dir: Kenny Leon |
A Lesson Before Dying | Signature Theatre, NYC | Dir: Kent Thompson | |
The Seagull | Missouri Repertory Theatre, Kansas City | Dir: George Keathley | |
1999: | The Road Home | Asia House, NYC | Dir: Larry Sacharow |
Crumbs from the Table of Joy | Alliance Theatre | Dir: Kenny Leon | |
Jitney | Alliance Theatre | Dir: Kenny Leon | |
Everybody's Ruby | New York Shakespeare Festival | Dir: Kenny Leon | |
1998: | A Midsummer Night's Dream | Pittsburgh Public Theatre | Dir: Edward Gilbert |
Medea | Alliance Theatre | Dir: Kenny Leon | |
1997: | A Long Days Journey Into Night | Pittsburgh Public Theatre | Dir: Edward Gilbert |
Seven Guitars | Alliance Theatre | Dir: Kenny Leon | |
Bourbon at the Border | Alliance Theatre | Dir: Kenny Leon | |
Blues for an Alabama Sky | Huntington Theatre, Boston, MA | Dir: Kenny Leon | |
1996: | Blues for an Alabama Sky | Arena Stage, Washington, D.C. | Dir: Kenny Leon |
Blues for an Alabama Sky | Alliance Theatre 1996 Olympic Arts Festival | Dir: Kenny Leon | |
Blues for an Alabama Sky | Hartford Stage | Dir: Kenny Leon | |
The Perfect 36 | Tennessee Repertory Company | Dir: Max Perkle | |
The Amen Corner | Alliance Theatre | Dir: Kenny Leon | |
1995: | Denial | Long Wharf Theatre, New Haven, CT | Dir: Arvin Brown |
Angels in America, Pt. I | Alliance Theatre | Dir: Kenny Leon | |
Angels in America, Pt. II | Alliance Theatre | Dir: Kenny Leon | |
A Raisin in the Sun | Huntington Theatre | Dir: Kenny Leon | |
Dancing at Lughnasa | Indiana Repertory Theatre | Dir: Libby Appel | |
As You Like It | Huntington Theatre | Dir: Edward Gilbert | |
From the Mississippi Delta | Alliance Theatre | Dir: Kenny Leon | |
As You Like It | Pittsburgh Public Theatre | Dir: Edward Gilbert | |
1994: | Zooman and the Sign | Second Stage, NYC | Dir: Seret Scott |
Mr. Rickey Calls a Meeting | George Street Playhouse, New Jersey | Dir: Sheldon Epps | |
Saturday, Sunday, Monday | Pittsburgh Public Theatre, PA Long Wharf Theatre, New Haven, CT | Dir: Arvin Brown | |
Angels in America, Pt. I | Alliance Theatre | Dir: Kenny Leon | |
The Strange Life of Ivan Osokin | La Mama ETC, NYC | Dir: Larry Sacharow | |
Dancing at Lughnasa | Alliance Theatre | Dir: Libby Appel | |
1993: | Any Given Day | Longacre Theatre, NYC | Dir: Paul Benedict |
Two Trains Running | Alliance Theatre | Dir: Kenny Leon | |
From the Mississippi Delta | Huntington Theatre | Dir: Kenny Leon | |
The Cover of Life | Hartford Stage Company | Dir: Rick Corley | |
Three Men on a Horse | National Actors Theatre, NYC | Dir: John Tillinger | |
A Midsummer Night's Dream | Alabama Shakespeare Festival | Dir: Carol Thompson | |
Saint Joan | National Actors Theatre, NYC | Dir: Michael Langham | |
A Streetcar Named Desire | Alliance Theatre | Dir: Kenny Leon | |
1992: | The Seagull | National Actors Theatre | Dir: Marshall Mason |
Fugue | Cleveland Playhouse | Dir: Ken Frankel | |
The Diary of Anne Frank | Cleveland Playhouse | Dir: Rob Garber | |
A Wrinkle in Time | Fitzgerald Theatre, St. Paul, MN | Dir: Gary Gisselman | |
When We Are Married | Seattle Repertory Theatre | Dir: Nagel Jackson | |
Piano Lesson | Alliance Theatre | Dir: Kenny Leon | |
1991: | On Borrowed Time | Circle in the Square, NYC | Dir: George C. Scott |
A Wrinkle in Time | Children's Theatre Company, Minneapolis | Dir: Gary Gisselman | |
The Mesmerist | Cincinnati Playhouse | Dir: Worth Gardener | |
Lucifer's Child | Music Box Theatre, NYC | Dir: Tony Abatemarco | |
The Baby Dance | Long Wharf Theatre | Dir: Jenny Sullivan | |
Pirates | South Coast Repertory, Costa Mesa, CA | Dir: Martin Benson | |
1990: | The Masterbuilder | Hartford Stage | Dir: Mark Lamos |
The Stonecarver | Geva Theatre, Rochester, NY | Dir: Joe Mantello | |
Adult Fiction | Geva Theatre, Rochester, NY | Dir: Joe Mantello | |
Typhoid Mary | Geva Theatre, Rochester, NY | Dir: Joe Mantello | |
Oh, the Innocents | Geva Theatre, Rochester, NY | Dir: Joe Mantello | |
The March on Russia | Cleveland Playhouse | Dir: Josie Abady | |
The Playboy of the Western World | Seattle Repertory Company | Dir: Doug Hughes | |
Is He Still Dead? | Long Wharf Theatre | Dir: Charles Nelson Reilly | |
1989: | Tom Sawyer | Central Children's Theatre, Moscow, USSR | Dir: Jon Cranney |
Peter Pan | Wright State University Theatre, Dayton | Dir: Bob Heatherington | |
Much Ado About Nothing | Cincinnati Playhouse | Dir: John Russell Brown | |
Betsey Brown | American Music Theatre Festival, PA | Dir: Emily Mann | |
Enrico IV | Roundabout Theatre, NYC | Dir: J. Ranelli | |
1988: | Annulla | New Theatre of Brooklyn | Dir: Emily Mann |
Two Rooms | La Jolla Playhouse | Dir: Des McAnuff | |
Fighting Chance | Long Wharf Theatre | Dir: Ken Frankel | |
Serenading Louie | Hartford Stage | Dir: Mary Robinson | |
Gantry | Ford's Theatre, Washington, D.C. | Dir: David Bell | |
1987: | Babbitt | Mark Taper Forum, Los Angeles, CA | Dir: Steve Robman |
Self-Defense | Joyce Theatre, NYC | Dir: Arvin Brown | |
A Month of Sundays | (Broadway) | Dir: Gene Saks | |
Little Miss Hollywood | Children's Theatre Company, Minneapolis | Dir: Jon Cranney | |
Cat on a Hot Tin Roof | Virginia Stage, Norfolk, VA | Dir: Charles Towers | |
The Square Root of Three | Jewish Repertory Theatre, NYC | Dir: Steve Robman | |
Self-Defense | Long Wharf Theatre | Dir: Arvin Brown | |
1986: | The Real Thing | Portland Stage Co. | Dir: Mel Marvin |
The Gilded Age | Hartford Stage | Dir: Mark Lamos | |
Untitled | River Arts Repertory, Woodstock, NY | Dir: Michael Christopher | |
Babbitt46th Street Theatre | Dir: Brian Murray |
| |
The Abduction from the Seraglio | Williams College Theatre | Dir: Bernard Bucky | |
(A play by Len Jenkin) | Classic Stage Company, NYC | Dir: Larry Sacharow | |
Distant Fires | Hartford Stage | Dir: Mark Lamos | |
1985: | Bullies House | Long Wharf Theatre | Dir: Ken Frankel |
A Day in the Death of Joe Egg | Longacre Theatre, NYC | Dir: Arvin Brown | |
Requiem for a Heavyweight | Majestic Theatre, Dallas, TX Ft. Lauderdale, FL Palm Beach, FL Martin Beck Theatre, NYC | Dir: Arvin Brown | |
1984: | Passion | Hartfors Stage | Dir: Mark Lamos |
Total Eclipse | The Lambs Theatre, NYC | Dir: John Tillinger | |
Extremities | Duchess Theatre, London | Dir: Robert Allan Ackerman | |
Under the Ilex | Long Wharf Theatre | Dir: Charles Nelson Reilly | |
American Buffalo | Shubert Theatre, Boston, MA Curran Theatre, San Francisco, CA | Dir: Arvin Brown | |
The Bathers | Long Wharf Theatre | Dir: Steven Robman | |
Hot Lunch Apostles | The Talking Band/ La Mama ETC, NYC | Dir: Paul Zimet | |
The Value of Names | Hartford Stage | Dir: Mark Lamos | |
Cantorial | Hartman Theatre, Stamford CT | Dir: Ed Sherin | |
Requiem for a Heavyweight | Long Wharf Theatre | Dir: Arvin Brown | |
1983: | Old Times | Roundabout Theatre | Dir: Ken Frankel |
Heartbreak House | Circle in the Square | Dir: Antony Page | |
A Private View | New York Shakespeare Festival | Dir: Lee Grant | |
American Buffalo | Terrace Theatre, Kennedy Center, D.C. Booth Theatre, NYC | Dir: Arvin Brown | |
Lunching | Apollo Theatre, Chicago, IL | Dir: Steven Robman | |
Extremities | Los Angeles Public Theatre | Dir: Robert Allan Ackerman | |
It's a Mad World, My Masters | La Jolla Playhouse | Dir: Des McAnuff | |
Wild Life | Vandam St. Theatre, NYC | Dir: Art Wolff | |
Under the Ilex | St. Louis Repertory Theatre | Dir: Charles Nelson Reilly | |
Moose Murders | O'Neill Theatre | Dir: John Roach | |
A Lesson from Aloes | Portland Stage | Dir: Barbara Rossoff | |
Another Country | Long Wharf Theatre | Dir: John Tillinger | |
The Misanthrope | Circle in the Square | Dir: Stephen Porter | |
Good Sports | (Staged Workshop) | Dir: Peter Masterson | |
1982: | Extremities | Westside Arts Theatre, NYC | Dir: Robert Allan Ackerman |
Steaming | Hartman Theatre, Stamford, CT Brooks Atkinson Theatre, NYC | Dir: Roger Smith | |
Open Admissions | Long Wharf Theatre | Dir: Arvin Brown | |
Corpse! | American Stage Festival, Milford, NH | Dir: Larry Carpenter | |
Present Laughter | Circle in the Square | Dir: George C. Scott | |
The Woods | Second Stage, NYC | Dir: David Mamet | |
Solomon's Child | The Little Theatre, NYC | Dir: John Tillinger | |
Ethan Frome | Long Wharf Theatre | Dir: Ken Frankel | |
1981: | Kaufman at Large | Phoenix Theatre, NYC | Dir: Steven Robman |
The Medal of Honor Rag | PBS/NET Theatre in America (videotape) | Dir: Lloyd Richards | |
A Day in the Death of Joe Egg | Long Wharf Theatre | Dir: Arvin Brown | |
Hedda Gabler | Huntington Theatre, Boston, MA Hartman Theatre, Stamford, CT | Dir: Ed Sherin | |
Isn't It Romantic | Phoenix Theatre | Dir: Steven Robman | |
American Buffalo | Circle in the Square, Downtown | Dir: Arvin Brown | |
Kean | Arena Stage, Washington, D.C. | Dir: Martin Fried | |
The Father | Circle in the Square | Dir: Goran Graffman | |
Plenty | Goodman Theatre, Chicago, IL | Dir: David Hare | |
Showdown at the Adobe Motel | Hartman Theatre | Dir: Ed Sherin | |
1980: | The Children's Crusade | First All Children's Theatre, NYC | Dir: Meridee Stein |
Solomon's Child | Long Wharf Theatre | Dir: John Tillinger | |
Bonjour, La, Bonjour | Phoenix Theatre | Dir: Steven Robman | |
American Buffalo | Long Wharf Theatre | Dir: Arvin Brown | |
After the Season | Wilmington, DE Shubert Theatre, Boston, MA | Dir: Steven Robman | |
Second Avenue Rag | Phoenix Theatre | Dir: Gerald Freedman | |
The Best Little Whorehouse in Texas | Orlando, FL | Dir: Tommy Tune | |
A Midsummer Night's Dream | Denver Center | Dir: Gene Lesser | |
Mary Barnes | Long Wharf Theatre | Dir: Arvin Brown | |
Salt Lake City Skyline | New York Shakespeare Festival | Dir: Robert Allan Ackerman | |
1979: | The Open Window Good Evening, Ladies and Gentlemen | Park Lane Productions/ Survival Anglia PAF Playhouse, Huntington, NY | Dir: Steven Robman |
The Best Little Whorehouse in Texas | Shubert Theatre, Boston, MA | Dir: Tommy Tune | |
Da | Royal Alexandria Theater, Toronto | Dir: Melvin Bernhardt | |
Oldsmobile '80 | Mark Hellinger Theatre, NYC | ||
Rite of Passage Aftermath King Crab Lilac Time | Eugene O'Neill Playwrights Center, Summer conference - Four new television plays | ||
Wine Untouched | Harold Clurman Theatre, NYC | ||
Right of Way | Guthrie Theatre | Dir: Steven Robman | |
The Taming of the Shrew | Milwaukee Repertory Theatre | Dir: John Dillon | |
Spokesong | Circle in the Square | Dir: Ken Frankel | |
Hedda Gabbler | Cincinnati Playhouse | Dir: John Going | |
The Best Little Whorehouse in Texas | Tower Theatre, Houston, TX | Dir: Tommy Tune | |
Summerfolk | Long Wharf Theatre | Dir: Edward Gilbert | |
1978: | Under This Sky | Red Cloud Productions/ WNET 13 | Dir: Randa Haines |
Fathers and Sons | New York Shakespeare Festival | Dir: Robert Allan Ackerman | |
Sleeparound Town | New York Shakespeare Festival | Dir: Sarah Kernochan | |
Bonjour, La, Bonjour | Guthrie Theatre | Dir: Steven Robman | |
The Best Little Whorehouse in Texas | Entermedia Theatre, Off Broadway, NYC 46th Street Theatre, Broadway, NYC | Dir: Tommy Tune and Peter Masterson | |
Da | Morosco Theatre, NYC | Dir: Melvin Bernhardt | |
The Seagull | Indiana Repertory Theatre, Indianapolis | Dir: Ed Stern | |
The Trial of the Moke | WNET/ 13 Theatre in America | ||
A Flea in Her Ear | Hartford Stage Company | Dir: Norman Ayrton | |
1977: | Spokesong | Long Wharf Theatre | Dir: Ken Frankel |
Green Pond | Chelsea Theatre, Brooklyn, NY Chelsea Westside Theatre, NYC | Dir: David Chambers | |
The Confirmation | McCarter Theatre, Princeton, NJ | Dir: Ken Frankel | |
A Flea in Her Ear | American Stage Festival, Milford, NH | Dir: Hal Scott | |
Arms and the Man | American Stage Festival | Dir: Steven Robman | |
Molly (sets & costumes) | Dockstreet Theatre, Charleston, SC | Dir: Stephen Hollis | |
Paul Bunyan | Manhattan School of Music | Dir: Cynthia Auerbach | |
Sleuth | Syracuse Stage | Dir: Robert Mandel | |
Saint Joan | Long Wharf Theatre | Dir: Martin Fried | |
The Show-Off | Goodman Theatre, Chicago, IL | Dir: Gene Lesser | |
1976: | Green Pond (sets & costumes) | Stage South, Columbia, SC South Carolina Arts Council Statewide Tour | Dir: David Chambers |
Major Barbara | McCarter Theatre, Princeton, NJ Annenberg Center, Philadelphia, PA | Dir: Ken Frankel | |
Children | Manhattan Theatre Club, NYC | Dir: Mel Berhardt | |
Alphabetical Order | Long Wharf Theatre | Dir: Steven Robman | |
Twelfth Night | American Stage Festival, Milford, NH | Dir: Steven Robman | |
Seven Keys to Baldpate | American Stage Festival, Milford, NH | Dir: Larry Randolph | |
The House of Mirth | Long Wharf Theatre | Dir: Waris Hussein | |
Awake and Sing | McCarter Theatre Annenberg Center | Dir: Ken Frankel | |
The Sun Always Shimes for the Cool | New York Shakespeare Festival | Dir: Marvin Camillo | |
All Over | WNET/ 13 Theatre in America | ||
1975: | The Poison Tree | Broadway, NYC | Dir: Charlie Blackwell |
The Estate | Hartford Stage | Dir: Paul Weidner | |
All Over | Hartford Stage | Dir: Paul Weidner | |
Death of a Salesman | Circle in the Square | Dir: George C. Scott | |
Afternoon Tea | Hartford Stage | Dir: Paul Weidner | |
Pygmalion | Long Wharf Theatre | Dir: Robin Gammell | |
The Beggar's Opera | Williams College Theatre | ||
Life Class | Manhattan Theatre Club, NYC | Dir: Robert Mandel | |
The Sea | Manhattan Theatre Club, NYC | Dir: Robert Mandel | |
Sea Marks | Manhattan Theatre Club, NYC | Dir: Steven Robman | |
1974: | Where's Charley? | Circle in the Square | Dir: Theodore Mann |
Sweet Talk | New York Shakespeare Festival | Dir: Novella Nelson | |
The Hot l Baltimore | Hartford Stage | Dir: Paul Weidner | |
Private Lives | Williamstown Theater Festival | Dir: Nikos Psacharopolis | |
The Merry Wives of Windsor | Augusta Repertory Theatre, Augusta, GA | Dir: Steven Robman | |
The Killdeer | New York Shakespeare Festival | Dir: Melvin Bernhardt | |
A Touch of the Poet | Hartford Stage | Dir: Paul Weidner | |
Private Lives | PAF Playhouse, Huntington, NY | Dir: Richard Jamieson | |
Studs Edsel | Ensemble Studio Theatre, NYC | ||
La Cambiale di Matrimonio | Opera Buffa of New York, NYC | Dir: Rhoda Grauer | |
Bits and Pieces | Manhattan Theatre Club, NYC | Dir: Lynn Meadow | |
1973: | Three Men on a Horse | Arena Stage, Washington, D.C. | Dir: Norma Gevanthor |
Candida | PAF Playhouse, Huntington, NY | Dir: Richard Jamieson | |
Juno and the Paycock | Long Wharf Theatre | Dir: Arvin Brown | |
Getting Married | Hartford Stage | Dir: Douglas Seale | |
Twelfth Night (sets & costumes) | PAF Playhouse, Huntington, NY | Dir: Richard Jamieson | |
What the Butler Saw | Williamstown Theatre Festival | Dir: Jeff Blechner | |
1972: | Old Times | Goodman Thatre, Chicago, IL | Dir: Michael Kahn |
The Lady's Not for Burning | Long Wharf Theatre | Dir: Kent Paul | |
The Country Girl | Williamstown Theatre Festival | Dir: Arvin Brown | |
Death of a Salesman | Center Stage, Baltimore, MD | Dir: Lee Sankovitz | |
Troika | Long Wharf Theatre | Dir: Morris Carnovsky | |
1971: | The Black Terror | New York Shakespeare Festival | Dir: Nathan George |
A Gun Play (with Ralph Funicello) | Cherry Lane Theatre, NYC | Dir: Gene Frankel | |
1970: | The Happiness Cage | New York Shakespeare Festival | Dir: Tom Aldredge |
1969: | Sambo (with Ming Cho Lee) | New York Shakespeare Festival | Dir: Gerald Freedman |
Awards and Honors
2014: | Robert Tobin Award - Sustained Excellence in Theatrical Design |
2006: | Distinguished Achievement in Scenic Design, USITT |
2002: | The Ruth Morley Designing Woman Award |
1995: | The Mary L. Murphy Award for Excellence in Design |
1994: | The Michael Merritt Award for Excellence in Design and Collaboration |
1991: | Los Angeles Drama-Logue Award, Best Scenic Design – Pirates |
1991: | Robby Award, Distinguished Achievement in Theatre – Pirates |
1988: | Los Angeles Drama-Logue Award, Best Scenic Design – Babbit |
1985: | Drama Desk (NYC), nomination for Outstanding Design – Requiem for a Heavyweight |
1984: | Boston Theatre Critics Circle Award, Best Design of ‘83-’84 season – American Buffalo |
1983: | American Council on the Arts Young Artists Award |
1983: | Drama Desk (NYC), nomination for Outstanding Design – Steaming; Extremities; Present Laughter |
1983: | The Tor Award for Best Set Design – Heartbreak House |
Grants
1994: | National Theatre Artist Program Development Grant The Pew Charitable Trusts/ Theatre Communications Group For conceptual work with a collaborative team |
1992-94: | Pew Charitable Trust Theatre Residency Grant For a residency with the Alliance Theatre, Atlanta, GA |
Exhibitions and Talks
2008-9: | “Curtain Call: Celebrating a Century of Women Designing for Live Performance” – New York Library for the Performing Arts, Lincoln Center, NYC |
2007: | Prague Quadrennial/International Exposition of Scenography, showing designs for MARGARET GARNER |
2006: | “In Defense of Realism,” slide lecture at USITT National Convention, Louisville KY |
2002: | “Designs for the Stage,” the Bright Hill Center, Word and Image Gallery, Treadwell, NY. (A solo retrospective) |
1999: | “Visualizing the New Play.” The Humana Festival, Actors Theatre of Louisville (Several models of sets designed for premieres of new plays) |
1997: | “Women in Scenic Design.” United States Institute of Theatre Technology National Conference, Pittsburgh, PA (15 various sketches, plus several paint elevations and drafting) |
1990: | “The Broadway Scene.” McNay Art Museum, San Antonio, TX, 1990 (Various design documents borrowed from the Robert Tobin Collection) |
1987: | The Prague Quadrennial, Prague, Czechoslovakia (A scale model of the set design for STEAMING was part of the United States’ entry, which won the Grand Prize for that year: the “Golden Trigu.” The exhibit then toured Europe for the next two years.) |